Graphic Design. Covering everything from kerning to color theory, these resources on design fundamentals will help you become a better graphic designer. Enjoy the entire collection of our creative desktop and mobile tools, like Photoshop, Illustrator, InDesign, Adobe Premiere Pro, and more with Adobe Creative Cloud. 030010204: Multimedia Tools and Application 2014 Ms. What features should be considered when choosing a multimedia authoring tool? Write a note on development platform for multimedia. Write short note on Painting and Drawing tools. Write short note on CAD and 3-D Drawing Tools. Write short note on Image Editing Tools. Font Editing and Design Tools Allow you to create your own fonts ResEdit for from INF 405 at University of Cape Coast,Ghana. Font Editing and Design Tools (continued) • Fontographer – Fontographer is a specialized graphics editor. – It is compatible with both Macintosh and Windows platforms. – It can be used to develop PostScript, TrueType, and OpenType fonts. – •It can also modify existing typefaces and incorporate PostScript artwork. Available only for Windows, Type light is a freeware font editor that you can use to edit existing font files or to design your own font from scratch. This tool can deal with TrueType, OpenType and PostScript font formats, with the ability to convert font files from one to another. The software is free for personal use and for limited commercial use. Yahoo web design tools.

Modo Bass is available to pre-order from the IK Online store for Mac and PC for the introductory price of $/€149.99 (excl. Tax) and will be available in November 2016 for $/€299.99 and $/€199.99* (crossgrade price). IK Multimedia’s MODO BASS is the very first physically modeled bass, and absolutely nails it right out of the box. Physical modeling promises to deliver on multiple fronts. Videos IK Multimedia Modo Bass - Audiofanzine Page 2/2. Cookies help us improve performance, enhance user experience and deliver our services. MODO BASS is the first bass guitar emulation plugin we’ve come across that actually does a great job of recreating these imperfections and articulations that make real bass interesting to listen to.

For the computer musician looking to use electric bass in their productions, the only options to date have been to either record the real thing or fire up a sample-based instrument. With their new alternative, IK Multimedia is claiming a world first: eight years in development, Modo Bass (VST/AU/AAX/ standalone) puts physically modelled emulations of 12 classic electric bass guitars at your fingertips, along with the techniques a bassist would employ to play them. The big question, then, is whether the malleability of physical modelling in this case comes at the expense of sonic realism.

A la Modo Being a synth, Modo Bass doesn’t require anywhere near the hard drive space devoured by the average muiltisampled library - the installer is a svelt 170MB. The majority of the interface is taken up by a representative graphic of the bass being modelled, or the amp and pedalboard, or the keyswitching layout, depending on which of the six tabbed pages you’re on. The control array at the top changes to reflect the currently selected tab - MIDI CC-assignable parameters in the Control tab, for example, or pickup and tone shaping options in the Electronics tab. At the bottom of the GUI, the interactive fretboard and keyboard enable moused play and show the left hand fingering and string plucks in real time. You can let Modo Bass make left hand string/fret choices for you, or use the keyswitches at the top of the keyboard to force your own.

Modo Bass includes a sizeable preset library, so getting busy with it can be as simple as loading one and triggering it from your MIDI keyboard or piano roll editor. Three keyswitchable playing styles are onboard - Finger, Pick and Slap - while the other controls in the Play Style tab let you adjust the ‘touch’ strength, fingering (index, middle or alternating), pick direction (up, down or alternating), slap style (all slap, all pull, or slap with automatic pull for notes over a specified velocity), left hand fretboard positioning, slide and release noise, amount of string muting applied and more.

The right hand playing position, meanwhile, is shifted between the bridge and neck by dragging the orange marker on the central graphic. The 14 keyswitches (toggling many of the Play Style options, plus Ghost note, Hammer On/Pull Off, Harmonics, etc) are annotated in the Control tab on an interactive graphical keyboard. While the keyswitches can’t be edited, the assignment of MIDI CCs to Bend, Slide, Muting, Pluck Position, Vibrato and other performance parameters can, making MIDI controller linkage a straightforward, painless process.